Medieval Scribes, Tools, & Practices A collection of authentic medieval tools used in all aspects of the scribe's work. This collection, originally organized by Alan Cole, belongs to the Museum of Writing Research Collection, Institute of English Studies, University of London, and is housed in the Senate House Library.
Exhibit Contents:

Exhibit Home

1. Book Mounts/Clasps

2. Page Marker

3. Reading Pointer

4. Seals

5. Rowels

6. Line Marking Frame

7. Sander (or Pounce Pot)

8. Tweezers

9. Pricker

10. Leads

11. Quill Pens

12. Four-flanged Pen

13. Stylus

14. Penners

15. Firelighter Iron

16. Tooth Burnisher

17. Medieval Inks

18. Lead Inkwell

19. Inkhorn

Title Stylus

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Brief description Many people think that wax tablets began with the Greeks and Etruscans and finished with the Romans. However, they continued to a greater or lesser extent well into the medieval period. There are few outside museums, such as the Museum of London, but these are the only ones I have seen for sale. The example here are in bronze, iron and bone, the latter with a distinct disadvantage. For writing, the stylus held upright, a little like writing with a Chinese brush, If it is held at angle, as with a modern fountain pen, the line inscribed is very feint. Also it is better to write in capitals as the lines are straighter. If you try to write in miniscules where the letters are more rounded, the surface is rucked up and the stylus can jam. I have written with many original Roman styli and this seems a common problem. The most asked question is. ‘How were errors erased?’ It is generally thought that one simply rubs out the offending mistakes with the flat end of the stylus. Not so! If you do that, the surface is again rucked up or removed and it is almost impossible to write over it. After many months experimenting with Roman styli on modern-made wax tablets, I reckon I have found the solution. If one holds the stylus about 2 to 2.5cm from the erasing end and put the tip of that end in the flame of a Roman oil lamp, it is at just the correct temperature as soon as you feel the heat reach your fingers. Having the wax tablet ready beside you, gently pull the erasing end over the error, just enough to smooth out the wax. If you press to hard, then the wax melts too much and can burn, which defeats the object. The wax cools quickly and you can continue writing. The problem with the bone stylus is that it writes well, but you have to hold the wax tablet some distance above a flame to melt the wax. For comparison, see the two Roman styli, one of silver, again not so easy to erase with, and a superior one of bronze with gold bands.

Contributor: Alan Cole

Contribution date: Winter 2014